Greek Revival 19 century Porcelain Mantle Clock and Vases Garniture

Very fine quality 19 century French Porcelain and Gilt Bronze Mantel Clock Garniture with hand painted Sevres style porcelain plaques. Mantel clock 20 1/2 by 17 by 6 inches. Urns 15...

Large 19th century neoclassical figural patinated with gilt highlight bronze and marble mantle clock depicting Diana The Hunter. The marble is hand painted with classical decorations.

French Mantel Clock and Candelabra Garniture in Islamic Style, circa 1880s. Clock measures 13.5 by 10.5 by 6 inches.

Very unusual and exceptional quality Louis XV style three-piece, French, 19th century bronze-mounted hand-painted Verni Martin clock barometer and sconces garniture set.

A very fine quality French 19th century clock and garniture suite. Comprising an ormolu-mounted white marble mantel clock and a pair of gilt bronze and white marble candelabras. Cloc...

Very fine quality and large French Louis XVI style 19 century multi color carved marble mantel clock.

This wonderful 1920s Egyptian Revival clock is surmounted with an Assyrian style lamassau (human headed winged lion) and flanked by a pair of re...

A very imposing 19th Century Egyptian influenced mantle clock garniture, the black and rouge marble having wonderful patinated bronze mounts depicting Egyptian sphinx like mounts to ...

The clock having domed trapezoidal case, dome with bronze relief to front depicting a partial gilt Egyptian goddess, Isis, flanked by cobras and lotus scrolls, red marble ribbed columns to sides, clock face with gilt egg-and-dart border, gilt hands and mounts, clock face engraved BIGELOW KENNARD & CO. BOSTON, double-barrel clock movement by Achille Brocot, down to chained sphinx protruding from lower case, raised on stepped plinth. This vintage mantle clock...

Garnish with clock and candelabra in porcelain and gilt bronze. France, 19th century. Mechanism in perfect working order. Fireplace garnish composed of a clock and two five-light candelabras, all three pieces made by combining gilt bronze, with relief elements and round bulges and cold-chiseled details, and porcelain decorated with low-temperature enamels, including gold enamel. The porcelain pieces follow models from the Sèvres National Manufacture of the 18th century, with large pictorial cartouches on a cobalt blue background adorned with golden plant motifs. The set follows a historicist design that combines baroque and neoclassical elements with enamelled scenes of Rococo inspiration, representing landscapes and scenes with mythological themes alluding to the arts and the goddess Venus. The clockwork is stamped “Chles. MT”, with serial number 17420. The main glazed porcelain plates are signed DP Boncher. The clock follows an architectural structure, with an oval base with a prominent front in plan, raised on four molded feet in the shape of a top, on which a large ornamental vase is placed. This plinth has a distinct pinto and, above it, a main body as a façade, with a circular pediment that houses the clock face. This includes black enamelled Roman numerals on white medallions with a gold border, arranged around the central representation of a putti reclining among clouds, holding a floral garland and accompanied by musical instruments. Among the medallions that house the numbers, a small jeweled decoration that evokes pearls and embedded rubies, which is echoed in the secondary areas of the body of the piece and also the vase, always combined with delicate golden filigrees. On both sides of the sphere are two female portraits of ladies from the 18th century, in oval frames. Below, a classically inspired scene with a muse holding musical instruments, probably Euterpe or Erató, accompanied by a putti reading a sheet of music. On the sides of the clock body, two large curved rectangular plates house highly pictorial enameled landscapes, worked with the same miniaturist precision as the rest of the enameled cartouches. These are landscapes of romantic heritage, again inspired by the 18th century, with ideal settings for a twilight atmosphere, featuring classical ruins. The vase that tops the body of the clock has a hemispherical tank, shoulders ending in an edge, an openwork truncated conical neck, which opens smoothly towards the shoulders, and a domed lid, also openwork. The handles are figurative, in bronze, with two female sisters crowned with flowers, of clear Greco-Latin inspiration, worked in a round shape. In the tank, the vase houses two enameled porcelain cartouches, the front one with two putti and a dove - a symbolic allusion to Venus - and the back one with musical instruments. The design of the clock is completed by two thick bronze S-shaped plant braces, under the vase, and counter moldings and plant motifs cast in relief and cold chiseled, combining matte and polished finishes. The candelabras follow a similar design, with large vases of neoclassical design on pedestals, in this case cylindrical, raised on four low feet of turned design. The bases house porcelain cartouches with scenes of putti related to the arts; In one of them we see two putti practicing painting, and in the other two others in a scene related to classical lyric poetry, with one putto writing while the other, holding a lyre, raises a laurel wreath above his head. The cartouches that occupy the front of the candelabra vases...

A magnificent antique Black Forest carved three piece mantel clock and garniture set. circa 1880 Swiss or German, late 19th century, a truly extraordinary work of art, exceptionally executed, intricately sculpted and finely detailed throughout, hand carved from a single block of wood, featuring a leaping stag deer over elaborate naturalistic foliage, a pair of pheasants with inset glass eyes, wooden dial with gilt incised Roman numeral hour markers and eight day time-and-strike movement, sculptural interwoven root carvings on a conforming molded edge base, flanked by a hunting dog and mountain rescue dog, both with inset glass eyes, retaining the original pressed glass spill vases. A spill vase was typically kept on the mantelpiece and filled with spills, splints, or tapers used to transfer fire from the fireplace to candles, lamps, a pipe or a cigar. Dimensions: Complete: (approx/depending on setup) 20.25" Tall, 30" Wide, 7.5" Deep Mantle / shelf clock: 20.25" High, 14" Wide, 7.5" Deep Dog sculpture garniture: 13" High, 4.75" Wide, 4.25" Deep (each) Great antique condition with beautifully aged warm rich dark patina. Minor wear consistent with age. Currently working and keeping good time, key and pendulum included. As with all antique clocks...

A highly unusual 19th Century Egyptian Revival Mantel Clock. Wonderful design architectural clock case with pagoda top, made of high quality red marble and black slate, all exquisite...